Sholay: Bollywood epic roars back to big screen after 50 years with new ending

BBC:

Fifty years after it first exploded on Indian screens, Sholay (Embers) – arguably the most iconic Hindi film ever made – is making a spectacular return.

In a landmark event for film lovers, the fully restored, uncut version of Ramesh Sippy’s 1975 magnum opus will have its world premiere at Il Cinema Ritrovato Festival in Bologna, Italy, on Friday. This version includes the film’s original ending – changed due to objection from the censors – and deleted scenes.

The screening will take place on the festival’s legendary open-air screen in Piazza Maggiore – one of the largest in Europe – offering a majestic setting for this long-awaited cinematic resurrection.

Crafted by writer duo Salim-Javed and featuring an all-star cast led by Amitabh Bachchan, Dharmendra, Hema Malini, Jaya Bhaduri, Sanjeev Kumar and the unforgettable Amjad Khan as Gabbar Singh, Sholay draws cinematic inspiration from Western and samurai classics. Yet, it remains uniquely Indian.

The 204-minute film is a classic good-versus-evil tale set in the fictional village of Ramgarh, where two petty criminals, Jai and Veeru (Bachchan and Dharmendra), are hired by a former jailer, Thakur Baldev Singh, to take down the ruthless bandit Gabbar Singh – one of Indian cinema’s most iconic villains.

When it first released, Sholay ran for five uninterrupted years at Mumbai’s 1,500-seater Minerva theatre. It was later voted “Film of the Millennium” in a BBC India online poll and named the greatest Indian film in a British Film Institute poll. Half a million records and cassettes of RD Burman’s score and the film’s instantly recognisable dialogues were sold.

The film is also a cultural phenomenon: dialogues are quoted at weddings, referenced in political speeches and spoofed in adverts.

“Sholay is the eighth wonder of the world,” Dharmendra, who plays a small-town crook and is paired up with Bachchan in the film, said in a recent statement.

Shooting the film was an “unforgettable experience,” Bachchan said, “though I had no idea at the time that it would become a watershed moment in Indian cinema.”

This new restoration is the most faithful version of Sholay, complete with the original ending and never-before-seen deleted scenes, according to Shivendra Singh Dungarpur of the Film Heritage Foundation.

In the original version, Gabbar Singh dies – killed by Thakur, who crushes him with spiked shoes.

But the censors objected. They balked at the idea of a former police officer taking the law into his own hands. They also found the film’s stylised violence too excessive. The film faced unusually tough censors because it hit the theatres during the Emergency, when the ruling Congress government suspended civil liberties.

After failed attempts to reason with them, Sippy was forced to reshoot the ending. The cast and crew were rushed back to the rugged hills of Ramanagaram in southern India – transformed into the fictional village of Ramgarh. With the new, softened finale – where Gabbar Singh is captured, not killed – in place, the film finally cleared the censors.

The road to the three-year-long restoration of the epic was far from easy. The original 70mm prints had not survived, and the camera negatives were in a severely deteriorated condition.

But in 2022, Shehzad Sippy, son of Ramesh Sippy, approached the Mumbai-based Film Heritage Foundation with a proposal to restore the film.